Juror: Susan Burnstine
Submissions close on 
Monday, November 9, 2015
Monday, November 9, 2015
Gallery exhibition: Dec. 23, 2015 to Jan. 15, 2016
 Alternative Cameras is about  images made with any plastic, toy, 
pinhole or homemade camera, plastic  lens on a traditional modern 
camera, Lensbaby, camera obscura - just  about any non-traditional 
camera or lens, film or digital. For this  exhibition, images from 
unadulterated iPhones are excluded.
 Alternative Cameras is about  images made with any plastic, toy, 
pinhole or homemade camera, plastic  lens on a traditional modern 
camera, Lensbaby, camera obscura - just  about any non-traditional 
camera or lens, film or digital. For this  exhibition, images from 
unadulterated iPhones are excluded.
Susan Burnstine, whose work is created entirely in-camera with  
homemade cameras, has agreed to jury Alternative Cameras, and we could  
not be more pleased. Susan will select 35 photographs for exhibition in 
 our Middlebury, Vermont gallery, and an addition 40 for exhibition in  
our Online Gallery. All 75 will be reproduced in the exhibition catalog.
About the Juror
 Susan Burnstine is an award-winning fine art and commercial  
photographer originally from Chicago, now based in Los Angeles. Susan is
  represented in galleries across the world, widely published throughout
  the globe, teaches workshops internationally and has also written for 
 several photography magazines, including a monthly column for Black and
  White Photography Magazine (UK).
 Susan Burnstine is an award-winning fine art and commercial  
photographer originally from Chicago, now based in Los Angeles. Susan is
  represented in galleries across the world, widely published throughout
  the globe, teaches workshops internationally and has also written for 
 several photography magazines, including a monthly column for Black and
  White Photography Magazine (UK). Burnstine is one of the few photographers today avidly pursuing  
alternative processes to create an idiosyncratic and deeply personal  
visual landscape. Initially, she sought to find a way to portray her  
dream-like visions entirely in-camera, rather than with post-processing 
 digital manipulations. To achieve this, she has created twenty-three  
handmade film cameras and lenses that are frequently unpredictable and  
technically challenging. The cameras are primarily made out of plastic, 
 vintage camera parts, and random household objects, with single-element
  lenses molded from plastic and rubber. Learning to overcome their  
extensive optical limitations required Burnstine to rely  on instinct  
and intuition -- the same tools that are key when attempting to 
interpret  dreams.
 Burnstine is one of the few photographers today avidly pursuing  
alternative processes to create an idiosyncratic and deeply personal  
visual landscape. Initially, she sought to find a way to portray her  
dream-like visions entirely in-camera, rather than with post-processing 
 digital manipulations. To achieve this, she has created twenty-three  
handmade film cameras and lenses that are frequently unpredictable and  
technically challenging. The cameras are primarily made out of plastic, 
 vintage camera parts, and random household objects, with single-element
  lenses molded from plastic and rubber. Learning to overcome their  
extensive optical limitations required Burnstine to rely  on instinct  
and intuition -- the same tools that are key when attempting to 
interpret  dreams.
