Wednesday, October 30, 2013

Society for Photographic Education's Southeast Regioinal Scholarship

Scholarship opportunity to attend the national conference




We are yet again fortunate to offer three scholarships in support of attending the national conference in Baltimore. One undergraduate, one graduate, and one adjunct regional member will be awarded $500 in addition to advanced rate conference ticket ($110 for students and $270 for adjunct/ part time instructor).

Please find our scholarship application information attached to this Email.
This year’s juror is David Emitt Adams.
http://www.davidemittadams.com/

Deadline for online application is Friday, December 6th.  Applicants do not have to be current members, however, they are required to become members and attend the national conference in Baltimore to receive the scholarship!



Click on the guidelines above for instructions or ask a faculty member for the instruction document.

SCAD Atlanta Open Studio Night

Join SCAD Atlanta for 8th annual Open Studio Night

SCAD Atlanta, fifth floor, building C
Friday, Nov. 8
7-9 p.m.

Featuring:
·       More than 200 original pieces of SCAD artwork for sale
·       Hands-on demonstrations
·       Live music and light refreshments

Learn more about Open Studio Night.

Tuesday, October 29, 2013

The Print Center Call for Entries




88th Annual International Competition

All artists using Photography and/or Printmaking as critical components in their works can enter. Artists whose work pushes the boundaries of traditional photographic and printmaking practices are encouraged to enter.
Deadline                      
October 31, 2013
Jurors
Julia Dolan, Minor White Curator of Photography, Portland Art Museum
Bruce Guenther, Chief Curator, Mercedes Eichholz Curator of Modern and Contemporary Art, Portland Art Museum

Awards + Prizes
Three solo exhibitions at The Print Center to be held June-July 2014, Online exhibition, Philadelphia Museum of Art Purchase Award, Two-year contract from The Print Center Gallery Store, and up to $3,000 in purchase, cash and material prizes.
About the Competition
The Print Center’s Annual International Competition is one of the most prestigious and oldest competitions in the United States. The Print Center is particularly interested in highlighting local, national and international artists who utilize photography and printmaking in intriguing ways, both in content and process. Artists who use printmaking and/or photography as critical components of their work, or whose work pushes the boundaries of traditional photographic and printmaking practices, are encouraged to enter.

Your entry fee to the competition also includes a one-year Artist Level Membership to The Print Center.
Entry Information
Entries must be submitted online only. Click here to apply: www.printcenter.slideroom.com
Entry Fee - $45
Visa, MasterCard, American Express and Discover cards are accepted
Eligibility
All artists using photography and/or printmaking as critical components in their works can enter. Work submitted must have been completed in the last three years. Submitted works cannot have been exhibited within 50 miles of Philadelphia or in any prior exhibition at The Print Center. Up to five images may be submitted and only one submission per person.
Accepted formats:
Images: Up to 5 MB/each: jpg, png, gif
Videos: Up to 60 MB/each: mov, wmv, flv, mp4
You will be asked to label each uploaded file with Title, Date, Medium (e.g. etching, inkjet, gelatin silver, lithograph) and Size.
Online Exhibition
An online exhibition on The Print Center’s website will include the semi-finalists and all the images submitted by those artists, as well as biographical information and links to the artists’ own websites. Ten finalists will have more extensive information on the site, including additional images. Artists will be contacted by The Print Center for additional information and images.
Solo Exhibitions
Three artists will be selected from the ten finalists to receive solo exhibitions at The Print Center. Those artists will receive a $200 honorarium. Pending funding, especially for international artists, this amount may increase. Artists are responsible for delivering or shipping their work to and from The Print Center and all related costs, including framing when appropriate. The Print Center will install and de-install work.
Click here for a floor plan of The Print Center.


Dolan

Julia Dolan
is The Minor White Curator of Photography at the Portland Art Museum, Portland, OR, where she oversees the research, documentation and exhibition of the permanent collection of more than 7,000 photographs. She has worked with the photography collections at institutions including the Philadelphia Museum of Art, Philadelphia, PA; Addison Gallery of American Art, Andover, MA; Fogg Art Museum; Cambridge, MA; and the Palmer Museum of Art, University Park, PA. She has curated and co-curated numerous photography exhibitions including Transcending the Literal: Photographs by Ansel Adams from the Collection (2008)and Spectacle (2009)at the Philadelphia Museum of Art, as well as Likeness: Portraiture from the Photography Collection (2011), 70 Years/70 Photographs (2012), and Surface: Landscape Photography (2013)at the Portland Art Museum. Dolan is currently working on the exhibition The Question of Hope: Robert Adams in Western Oregon.


Guenther

Bruce Guenther
is the Chief Curator and the Robert and Mercedes Eichholz Curator of Modern and Contemporary Art at the Portland Art Museum, Portland, OR. He has served as curator the Orange County Museum of Art, Newport Beach, CA; Museum of Contemporary Art, Chicago, IL; and Seattle Art Museum, Seattle, WA. Recent exhibitions curated by Guenther have included the work of Mike Kelley, Bruce Nauman, Gerhard Richter and Cindy Sherman. He has written and lectured extensively on art of the last one hundred years and served as a juror for regional and national exhibitions and as a panelist for the GSA Art in Architecture Program.
Calendar
Entry Deadline: October 31, 2013
Notification (by email): January 31, 2014
Solo Exhibitions: June – July 2014
Online Exhibition Dates: June – December 2014
Sales
The Print Center will facilitate sales for the solo and online exhibitions of the Competition. The Print Center will receive a 50% commission on works sold. A pricelist will be made available in the gallery. The Print Center will pay the artist’s commission within 90 days of the close of the sale. Payment will be made by check and will include a statement listing work sold and the purchaser (if available).
Liability
The Print Center is not responsible for damage to work during shipping or delivery, although care in handling onsite can be assured. Works will be insured against fire and theft while on The Print Center’s premises.

Copyright & Usage
The Artist reserves all rights to the reproduction of his/her works of art on loan, unless he/she has specified to the contrary. Notwithstanding the above, The Print Center may use images of the works of art for the sole purpose of publicizing and promoting the Artist's work in newspaper and periodical advertisements and articles, brochures, The Print Center’s website, and other such means. In every instance of such use, the Artist shall be acknowledged as the creator of that work. For all reproductions a credit line should be included: "Courtesy the Artist.”
Mission
The Print Center’s mission is to support printmaking and photography as vital contemporary arts and to encourage the appreciation of the printed image in all its forms. The Print Center presents a variety of programs for the public including exhibitions; an extensive series of education programs and special events; the longest running annual international competition for prints and photographs in the country; and The Print Center Gallery Store, which offers the largest and most diverse selection of contemporary prints and photographs in Philadelphia.
Contact Information
Please direct questions relating to the competition to: info@printcenter.org
For technical questions contact Slideroom at: support@slideroom.com or www.slideroom.com/support.html
     

Photographer's Forum contest


34th ANNUAL COLLEGE
and HIGH SCHOOL
PHOTOGRAPHY CONTEST
sponsored by NIKON


  • Winners will be inducted into Nikon's Emerging Photographers Hall of Fame
  • All Winners, Honorable Mentions and Finalists published in the book
    Best of College & High School Photography 2014
[ Click Here to Enter Your Images ]

FINAL Entry Deadline:
November 18, 2013

($5.95 per photo)


FIRST PLACE :: COLLEGE :: $2,000 cash grant
PLUS Nikon D7100 camera and lens system
FIRST PLACE :: HIGH SCHOOL :: $2,000 cash grant
PLUS Nikon D7100 camera and lens system
-
SECOND PLACE :: COLLEGE :: $1,000 cash grant
SECOND PLACE :: HIGH SCHOOL :: $1,000 cash grant
-
THIRD PLACE :: COLLEGE :: $500 cash grant
THIRD PLACE :: HIGH SCHOOL :: $500 cash grant
-
5 FOURTH PLACE AWARDS :: COLLEGE :: Five $100 grants
5 FOURTH PLACE AWARDS :: HIGH SCHOOL :: Five $100 grants
-
200 HONORABLE MENTIONS
All Honorable Mentions will be listed in the May 2014 issue of Photographer’s Forum magazine and will receive a certificate of outstanding merit.

The top 16 winning photos will be published in the May 2014 issue of Photographer's Forum and entered into Nikon's Emerging Photographers Hall of Fame. All contest finalists, top 8% of all entries, will be published in the hardcover book Best of College & High School Photography 2014.
  • Final entry fee is $5.95 per photo entered.
    (all entries must be uploaded or postmarked on or before November 18, 2013)
  • Rights remain with photographer.
  • Subject matter is open.

Photographer's Forum Magazine is published by Serbin Communications, Inc.
email: admin@serbin.com
Our 34th ANNUAL SPRING PHOTOGRAPHY CONTEST, open to all amateur photographers, will be launching in early 2014. We hope you will remain an e-mail subscriber so we can notify you when the time comes. Thank You!

MFA thesis show reception, Sarah Horan

The reception for the MFA thesis show entitled, Contact, is this Friday, Nov. 1st from 6-9 PM at Oglethorpe Gallery (406 E. Oglethorpe Ave.) The gallery will also be open from Nov. 1-4th from 4-6 PM or by appointment. Sarah can be reached through email at sehoran@gmail.com.

Important Call for Entry

Print Center

88th Annual International Competition
All artists using Photography and/or Printmaking as critical components in their works can enter. Artists whose work pushes the boundaries of traditional photographic and printmaking practices are encouraged to enter.

Deadline                      
October 31, 2013


Jurors
Julia Dolan, Minor White Curator of Photography, Portland Art Museum
Bruce Guenther, Chief Curator, Mercedes Eichholz Curator of Modern and Contemporary Art, Portland Art Museum

Awards + Prizes
Three solo exhibitions at The Print Center to be held June-July 2014, Online exhibition, Philadelphia Museum of Art Purchase Award, Two-year contract from The Print Center Gallery Store, and up to $3,000 in purchase, cash and material prizes.

About the Competition
The Print Center’s Annual International Competition is one of the most prestigious and oldest competitions in the United States. The Print Center is particularly interested in highlighting local, national and international artists who utilize photography and printmaking in intriguing ways, both in content and process. Artists who use printmaking and/or photography as critical components of their work, or whose work pushes the boundaries of traditional photographic and printmaking practices, are encouraged to enter.

Your entry fee to the competition also includes a one-year Artist Level Membership to The Print Center.

Entry Information
Entries must be submitted online only. Click here to apply: www.printcenter.slideroom.com

Entry Fee - $45
Visa, MasterCard, American Express and Discover cards are accepted

Eligibility
All artists using photography and/or printmaking as critical components in their works can enter. Work submitted must have been completed in the last three years. Submitted works cannot have been exhibited within 50 miles of Philadelphia or in any prior exhibition at The Print Center. Up to five images may be submitted and only one submission per person.

Accepted formats:
Images: Up to 5 MB/each: jpg, png, gif
Videos: Up to 60 MB/each: mov, wmv, flv, mp4
You will be asked to label each uploaded file with Title, Date, Medium (e.g. etching, inkjet, gelatin silver, lithograph) and Size.


Online Exhibition
An online exhibition on The Print Center’s website will include the semi-finalists and all the images submitted by those artists, as well as biographical information and links to the artists’ own websites. Ten finalists will have more extensive information on the site, including additional images. Artists will be contacted by The Print Center for additional information and images.

Solo Exhibitions
Three artists will be selected from the ten finalists to receive solo exhibitions at The Print Center. Those artists will receive a $200 honorarium. Pending funding, especially for international artists, this amount may increase. Artists are responsible for delivering or shipping their work to and from The Print Center and all related costs, including framing when appropriate. The Print Center will install and de-install work.

Click here for a floor plan of The Print Center.


Dolan



Julia Dolan is The Minor White Curator of Photography at the Portland Art Museum, Portland, OR, where she oversees the research, documentation and exhibition of the permanent collection of more than 7,000 photographs. She has worked with the photography collections at institutions including the Philadelphia Museum of Art, Philadelphia, PA; Addison Gallery of American Art, Andover, MA; Fogg Art Museum; Cambridge, MA; and the Palmer Museum of Art, University Park, PA. She has curated and co-curated numerous photography exhibitions including Transcending the Literal: Photographs by Ansel Adams from the Collection (2008)and Spectacle (2009)at the Philadelphia Museum of Art, as well as Likeness: Portraiture from the Photography Collection (2011), 70 Years/70 Photographs (2012), and Surface: Landscape Photography (2013)at the Portland Art Museum. Dolan is currently working on the exhibition The Question of Hope: Robert Adams in Western Oregon.

Bruce Guenther is the Chief Curator and the Robert and Mercedes Eichholz Curator of Modern and Contemporary Art at the Portland Art Museum, Portland, OR. He has served as curator the Orange County Museum of Art, Newport Beach, CA; Museum of Contemporary Art, Chicago, IL; and Seattle Art Museum, Seattle, WA. Recent exhibitions curated by Guenther have included the work of Mike Kelley, Bruce Nauman, Gerhard Richter and Cindy Sherman. He has written and lectured extensively on art of the last one hundred years and served as a juror for regional and national exhibitions and as a panelist for the GSA Art in Architecture Program.

Calendar
Entry Deadline: October 31, 2013
Notification (by email): January 31, 2014
Solo Exhibitions: June – July 2014
Online Exhibition Dates: June – December 2014


Sales
The Print Center will facilitate sales for the solo and online exhibitions of the Competition. The Print Center will receive a 50% commission on works sold. A pricelist will be made available in the gallery. The Print Center will pay the artist’s commission within 90 days of the close of the sale. Payment will be made by check and will include a statement listing work sold and the purchaser (if available).

Liability
The Print Center is not responsible for damage to work during shipping or delivery, although care in handling onsite can be assured. Works will be insured against fire and theft while on The Print Center’s premises.

Copyright & Usage
The Artist reserves all rights to the reproduction of his/her works of art on loan, unless he/she has specified to the contrary. Notwithstanding the above, The Print Center may use images of the works of art for the sole purpose of publicizing and promoting the Artist's work in newspaper and periodical advertisements and articles, brochures, The Print Center’s website, and other such means. In every instance of such use, the Artist shall be acknowledged as the creator of that work. For all reproductions a credit line should be included: "Courtesy the Artist.”

Mission
The Print Center’s mission is to support printmaking and photography as vital contemporary arts and to encourage the appreciation of the printed image in all its forms. The Print Center presents a variety of programs for the public including exhibitions; an extensive series of education programs and special events; the longest running annual international competition for prints and photographs in the country; and The Print Center Gallery Store, which offers the largest and most diverse selection of contemporary prints and photographs in Philadelphia.

Contact Information
Please direct questions relating to the competition to: info@printcenter.org
For technical questions contact Slideroom at: support@slideroom.com or www.slideroom.com/support.html

Call for Entry

(cover photo: Evan Leavitt)

Shots Magazine

ONE WEEK REMINDER:

Submissions for the 2013 PORTFOLIO ISSUE (Winter, no. 122) are due Monday, November 4. Photographers chosen for inclusion will be featured and interviewed. Online and mailed submissions are accepted. Please visit the SHOTS website for further information and guidelines.

Subject matter is open. Submissions should include 12 to 20 images.

A well-established, independent and reader-supported quarterly photography journal in its 27th year of publication, SHOTS Magazine reaches an international community of photographers, educators, galleries, museums, collectors and other fine art photography enthusiasts.
Thank you for your interest and support!

Best regards,

Russell Joslin
Editor & Publisher
    

SPE National Student Scholarships


SPE student members can apply for scholarships to offset the cost of attending SPE's 2014 national conference in Baltimore March 6-9, 2014. All awards include a 2014 national conference fee waiver and a one-year membership to SPE.

SPE AWARDS

Ten SPE Awards are offered and feature a $500 travel stipend to attend the national conference.

THE SPE AWARD FOR INNOVATIONS IN IMAGING

The SPE Award for Innovations in Imaging is open to all eligible students working primarily with digital technology and is designated for work only possible because of emerging digital technologies-no alternative processes or gelatin silver prints. A project description describing how the work is possible as a result of emerging digital technologies is required as part of the submission process. Jurors will seek to award work that demonstrates the most innovative, unique, and freshest uses of digital technologies. One award is offered and includes a $500 travel stipend to attend the national conference.


ADDITIONAL REQUIREMENTS
Applicants must be currently matriculated students enrolled at a post-secondary institution as an undergraduate or graduate student majoring/concentrating in photography not graduating before the end of the academic year 2013-2014.
Applicants must be student members of SPE or become members before submitting their scholarship application. Visit www.spenational.org/members/join to join or renew.
Applicants are not eligible to receive the same award for two consecutive years, and cannot receive two awards in one year.

JURORS

This year's jurors are SPE national board members serving on the Awards and Recognition Committee: Erika Gentry (chair), Claude Baillargeon, Amy Holmes George, and Lupita Murillo Tinnen

ONLINE APPLICATION PROCEDURE

Submit online via http://spenational.slideroom.com. There will be a $10 fee for submitting a portfolio. If you need technical support, contact support@slideroom.com.

PREPARE TO SUBMIT THE FOLLOWING
A cohesive body of work with no more than FIVE images. Images around 1280 x 1280 px @ 72 ppi are ideal for good image quality and fast upload
A succinct artist statement of 200 words or less
A statement addressing how attendance at the conference will benefit you, as well as an overview of prior involvement with SPE or other arts organizations  
A description of the conceptual basis of your work and its technical qualities, including a description of processes used
A brief resume, including name, address, phone number, email address and current institutional affiliation, and educational and professional experience
Contact information for a current photography professor (include name, title, email, and phone number) 
Applications that do not fulfill all requirements may be eliminated from the competition.

Deadline November 1, 2013

Direct inquiries to the SPE national office at membership@spenational.org.

Visit www.spenational.orghttps://www.spenational.org/conference for additional conference information.
Society for Photographic Education

Friday, October 25, 2013

Art History electives for winter 2014

Click on the image to enlarge the image and read the array of art history electives available for winter 2014. Graduate students are encouraged to select 700 level art history courses appropriate to their interests and substitute them for ARTH 701 and ARTH 702.


















































































































Thursday, October 24, 2013

Fun with toning!

Got chemistry?
Rockin' the goggles and gloves!




Call for Entry


I WOULD LIKE TO HAVE A COLOR PHOTO TO USE ON A MINI NEWS BLOG THAT EXPRESSES THE OWNER COMMUNITY

THEME: ELEGANT WITH A TOUCH OF IREEVERENCE AND HIP
COMPOSITION: 2ND GEN CAR AS ABOVE, 5 OR MORE PEOPLE, AT LEAST ONE OF THE OPPOSITE SEX ALL WITH THEIR CLOTHES ON

PRIZE $50.00 TAB TO MELLOW MUSHROOM OR      LONGHORN STEAKHOUSE

Send submissions to tr5works@earthlink.net. Closing date is 11/18/13 and the will be winner notified 11/19 to pickup gift certificate at the SCAD Bergen Hall after 12 on 11/20/13. All submissions will be published with full artist credit
on January 14 and a link will be provided thereafter.
 http://rev.webworldcommunities.com/mr5/


PHOT 413 Controlled Lighting III Winter 2014


PHOT 413 Controlled Lighting III


Winter                     Professor TIM KEATING


In this senior-level studio course, students’ skills are directed toward using controlled lighting to create a portfolio with which to enter the commercial marketplace. Emphasis is on pinpointing potential markets for photography and developing professionally lit and photographed images for a client within that market. Prerequisite(s): PHOT 314.

Monday, October 21, 2013

CALL FOR ENTRY: Onward Forward / Submission Deadline Oct. 27th



















Are you a student photographer?
Interested in having your work featured online?

Onward Forward is a photo blog dedicated to celebrating quality in student photography at the university level, helping students to articulate their work and gain momentum prior to leaving school.
Now accepting submissions for Onward Forward’s opening in November!

Email 10-20 images, a short bio and a written statement about your work to ajohnson04@risd.edu. Cohesive bodies of work preferred!

Thanks for participating!
-Acacia Johnson
Onward, Forward

Saturday, October 19, 2013

Paid Internship Opportunity

Southeastern Art Gallery News
5805 State Bridge Road, G166
Duluth, GA 30092

Position: Photography Student for Intern Position
who: www.southeasternartgallerynews.com
date available: November 2013
Paid: Yes

Job description:
Seeking a photography intern to photograph 1950's, 60's and 70's collectable items. You will be given the rights to use these photographs as an art series or for your professional portfolio .
To apply, send an email message to maxxkatt77@yahoo.com with the words "Photography Intern position." Please include a link to some of your recent work.

Photography Electives for non major graduate students

PHOT 501 Survey: Photography
Examining the photographic medium from invention through contemporary uses and practices, this comprehensive survey course discusses the most important and influential movements of photography as it is used as a cultural force, a means of personal expression, and an aesthetically-based medium. Questions email Josh Jalbert- jjalbert@scad.edu

PHOT 502 Photographic Technique and Signification
Examining a range of techniques applicable to the medium of photography, this course is a combination of demonstrations, lectures, assignments, and critiques with an emphasis on the unification of technical choices and individual conceptual interests.
Questions contact Craig Stevens-cstevens@scad.edu
 
PHOT 503 Photography Portfolio Process

Developing a portfolio that demonstrates a coherent vision, personal aesthetic, and excellence in craft is the emphasis of this course. Students will receive and participate in intensive critique of individual, self-directed, artistic projects in preparation for later graduate reviews. The course is designed to help students to successfully define, develop, and edit a visually cohesive and formally sound body of work that makes evident the student’s personal aesthetic.
Questions contact Pete Christman-pchristm@scad.edu

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