Tuesday, June 18, 2013

Educator and Youth Organizer Positions -- Teaching Photography and Advocacy

THE ORGANIZATION
Critical Exposure, a nonprofit founded in 2004, is looking for two full-time Program Staff members to join our dynamic team in Washington, D.C. Critical Exposure teaches youth to use the power of documentary photography and their own voices to become effective advocates for school reform and social change. We work to fulfill our mission through a unique three-pronged approach that blends art and advocacy:
  1. Youth Empowerment – Provide students with training in documentary photography, leadership, community organizing, and self-advocacy; support students as they develop their own perspective as photography-based storytellers; and develop students' capacities to lead their own campaigns, using photography as a key tool.
  2. Public Engagement – Inform and engage the public by using students' photographs and writing to create traveling exhibits that can be shown in galleries, libraries, coffee shops, and other public spaces to increase awareness of the issues facing young people and to build support for youth-led changes.
  3. Real Change – Partner with advocacy and community organizations to implement creative strategies that use students' photography and voices to support school reform and social change locally and nationally.
PROGRAM STAFF POSITIONS
Both Program Staff members will focus primarily on implementing and developing our classes, campaigns, and workshops with D.C. high school-aged youth. Our programs take place at multiple sites: D.C. public high schools, community-based organizations, and our offices. Program Staff will be expected to have experience teaching classes or workshops, facilitating meetings, and/or organizing campaigns alongside youth. Experience facilitating similar projects with low-income youth, youth of color, and/or youth in Washington, D.C. is a major plus.
Our Program Staff will workto develop young people's capacities to advocate for themselves. We believe that for true, long-term, structural change to occur, that those impacted most directly by an issue must be the ones who lead the fight for solutions. This is an essential component to our organization's vision and mission and sharing this philosophy is essential.
POSITION #1 EDUCATOR:
One position will focus on implementing our school-based programs. This means teaching photography and advocacy skills in high school classrooms, generally with a consistent group of youth 2-3 times per week over the course of a semester or year. In addition to teaching basic photography concepts and facilitating political education workshops, this staff member would be expected to help each group of students:
  • Narrow their advocacy around one local, specific issue impacting their school or community.
  • Conduct a power analysis to identify specific decision-makers or targets who can make structural change around this issue.
  • Establish concrete demands that will help realize the change they want to see.
  • Strategize about how to use photography as a tool to document the issue and realize the goals.
  • Connect to resources (allies, experts, other campaigns) that will strengthen their advocacy efforts.
  • Schedule, prepare for, and run meetings with relevant decision-makers (principals, superintendents, etc.) in which students advocate for the changes they seek.
  • Follow up to ensure that their advocacy results in real change that positively impacts their school or community.
POSITION #2 YOUTH ORGANIZER:
The second position will require expertise in the same capacities but will focus on running our out-of-school programs, including our Fellowship Program. Since our out-of-school programs are not bound by the school year, our students are able to generate longer, city-wide campaigns. Students in our Fellowship Program are currently engaged in a campaign to end the School-to-Prison Pipeline by advocating for Restorative Justice programs in D.C. public schools. While Critical Exposure does not have an official issue-based platform as an organization, the Fellowship students have decided to continue working on this campaign in the 2013-2014 school year. We anticipate that supporting the students' campaign will be a major part of this staff member's role. Support will largely consist of helping students:
  • Prepare and facilitate their own meetings.
  • Develop campaign strategy and conduct power analyses.
  • Connect to local and national partners working on the School-to-Prison Pipeline or other issues as selected by participating youth.
  • Prepare for and speak at hearings, rallies, and other public events, as well as meeting with public officials.
  • Use photography and multimedia in a creative way to build support for Restorative Justice, the end to suspensions and expulsions, the criminalization of youth, and other issues associated with the School-to-Prison Pipeline.
In addition to the Fellowship Program, this second staff member will run introductory Critical Exposure programs out of our office.
QUALIFICATIONS
Both Program Staff members will have the opportunity to take on significant responsibility and will be an integral part of helping to support and strengthen the organization's growth and operations. We are looking for individuals with the following skills/experiences:
  • 2-3 years of experience working with underserved youth ages 14-21 years old
  • Advocacy and/or organizing campaign experience
  • Photography skills and knowledge
  • Teaching experience, inside or outside of a classroom
  • Curriculum development and/or lesson planning experience
We are looking for candidates with passion for, and commitment to, the following:
  • Empowering youth to advocate for social change.
  • Developing innovative methods of helping youth to be effective advocates for specific solutions to problems impacting their lives.
  • Popular Education and other participant-driven classroom and workshop models.
  • Combating internalized, interpersonal, and institutionalized forms of oppression.
  • Civic engagement as a key facet of positive youth development.
  • The power of photography/art as an effective advocacy tool that can compel decision-makers to take action.
  • The need to make public schools and communities more accountable to youth.
*This is not a position providing social services to youth, and applicants should understand the difference between providing service and supporting youth as leaders.
We are looking for candidates with the following characteristics:
  • Strong social justice analysis and understanding of campaign/movement-building strategies
  • Demonstrated leadership capacity
  • Problem-solving ability (e.g. ability to recognize opportunities to strengthen the way the organization operates and to create ideas and systems to address those needs)
  • Eagerness to learn and commitment to developing new strengths
  • Strong interpersonal skills with the ability to build relationships and communicate effectively and professionally with a diverse range of people
  • Strong work ethic and sense of responsibility
  • Ability to work both independently and as part of a small team
  • Creativity
  • Sense of humor
  • Strong written and verbal communication skills
  • Comfortable doing outreach to new contacts
Salary for the positions will be commensurate with experience and includes health, dental, and retirement benefits. The positions are full-time and based in Washington, D.C., with an expectation that new staff members are interested in a long-term commitment.
If you have any questions, please contact us at hiring@criticalexposure.org or 202-745-3745 x20.
To apply, please submit a resume and cover letter to hiring@criticalexposure.org.
Hiring immediately.

How to apply

To apply, please submit a resume and cover letter to hiring@criticalexposure.org.

Monday, June 10, 2013

T.M.P. DEADLINE EXTENDED

             June 2, 2013 at 2:20pm

TMP02 Call for Participation Deadline Extended to June 10


TMP has received amazing submissions for the second issue, Image vs. Data. I have also been sent emails asking for more time to complete some projects with the provided image. In response, I am extending the deadline to June 10th. I am so excited to share this issue with everyone. I hope a few more people can parcipate and I can not wait to begin work on TMP ISSUE02.
Thank you to all you have submitted work!

TMP

Saturday, June 1, 2013

SlowExposures 2013 Call for Entries

http://www.slowexposures.org/2013_Call_for_Entries.html


SlowExposures 2013 Call for Entries

       The Show Committee of SlowExposures has announced the opening of the Call for Entries for its 11th Annual juried photography show that celebrates the diversity, contradictions, and complexity of the rural American South. This year's distinguished jurors are Rob McDonald, of Lexington, Virginia, and Kevin Miller, of Dayton Beach, Florida.

       We invited Rob to choose a passage from a quintessential Southern classic as a starting point for 2013. We invite you to read his choice on our Home Page. It's an excerpt from Marjorie Kinnan Rawling's Cross Creek. Following this, we encourage photographers to enter images that portray their own unique interpretations of this confounding region. As anyone who read last year's CNN Photo Blog's comment thread after it featured SlowExposures, a lively and impassioned conversation results when the conversation gets around to what, exactly, constitutes the rural South. We say, go for it.

       SlowExposures has always been a "photographer's show"--we do our utmost to reach out to the people who are doing the work. We create an experience where photographers, collectors, teachers, and professionals mix and mingle in events, parties, receptions, and serendipitous meet-ups during Opening Weekend. Every photographer who enters is invited to attend the private Friday Evening Soiree at Split Oak Farm following the Reception for Rob McDonald's satellite show at A Novel Experience on September 20th. This year, those who are juried in will be invited to the inaugural "J.A.M." (Jurors, Artists, Mingling) following the Juror's Talk on Sunday, September 22nd. Visitors and guests will be encouraged to meet and talk to the photographers who are on-site in the main gallery during the afternoon. The committee makes every effort to assist participating photographers with lodging and transportation during their visit. If you are interested in creating a "pop-up" show of your work, we would like to hear from you.

       Over $1,000 in awards will be made. First, Second, and Third place cash awards and ribbons will be awarded by the Jurors in addition to Honorable Mention ribbons. A "People's Choice" award will be determined the last day of the Show.

       We encourage the sale of work (including hanging work and prints) with SlowExposures collecting a 30% commission on all artwork sold as a result of the exhibition. No work accepted for the show may be withdrawn  before the close of the Show at 5:00 p.m. on Sunday, September 29th. We reserved the right to refuse to hang any work that differs markedly from the digital image or does not meet the jurors' standards of excellence.

       Photographer's are invited to submit up to six (6) images that convey their interpretation of the contemporary rural South. The work must be original to the artist and the photographs must have been taken within the last four years. The entry fee is $50.00. All entries must be submitted online at www.slowexposures.org by midnight June 16th, 2013, by using the online Entry Form and paying by PayPal* (your credit card will also be accepted on the site). Notification of acceptance will be sent to all those entering the Show by approximately August 1, 2013. Accepted work may be shipped or dropped off at our Atlanta or Zebulon sites. The exhibit will hang from September 20th-29th at the historic R. F. Strickland Building in Concord, Georgia.

       Once you have decided on what images to enter, and before you begin uploading them, please take a minute to look at the Entry Form for the call--there are naming conventions and file sizes which must be followed. The minute or two you spend will be well worth the time!

       Good luck to all--we hope to see your work in 2013!

*You do not have to sign up for a PayPal account to pay using their service.
    Here are instructions to help you with the process:
After you have uploaded your entries
1. Click continue
2. Click continue with PayPal (underneath where it says pay with PayPal)
3. On the next page is an option for "Don't Have a PayPal Account"
4. Fill out the requested information
5. Click continue
6. Choose a Credit Card to pay with
7. Do NOT click on PayPal below the Credit Card information
8. Review and click continue
9. Click "Pay Now"
10. Done


Wednesday, May 29, 2013

Reader Gallery: Call for Entries / Deadline Extended


http://paprikasouthern.com/2013/05/03/reader-gallery-dream/


We’d like to announce a special feature of Paprika Southern that will make you, our readers, part of the magazine and give you the chance to share your artwork.  Each month we will include a gallery section of reader-submitted artwork, curated by Siobhan and myself.  Selected work will be included in the issue, as well as archived here on our website.
The theme for the first issue’s gallery will be “dream.”  Please interpret the theme however you like, from an actual nocturnal dream, to hopes and goals, to a dreamy feeling or mood.  We accept any medium of artwork, from digital photography, to painting, to mixed media, to Instagram.
Please note that only digital submissions will be accepted, and that submitting a piece does not guarantee it will be selected.  To submit, email up to three works tomail(at)paprikasouthern(dot)com with the subject line Dream Submission, by May 24 May 31, with the following information:
  • Artist’s name
  • Title of piece(s) (must match file name)
  • Medium
  • Website, if you would like it linked
  • Hometown
  • (optional) A brief statement about the work
Submissions should be no larger than 12 inches on the shorter side at 150ppi.  Emailmail(at)paprikasouthern(dot)com with questions.
Please note the deadline has been extended to May 31!
We look forward to seeing your work!

Large Format Drawing Exhibition

Large Format Drawing Exhibition Opening Thursday, May 30, 4-6 pm, Alexander Hall

Featuring wacky drawings by Kevin O'Malley

Christopher Olszewski          

Monday, May 27, 2013

Show off your art in Port City Review

Show off your art in Port City Review

Through Monday, Oct. 14

Show off your art. Port City Review, SCAD's annual student literary arts journal, welcomes work in all forms from all majors and from all class levels. Submit as many pieces as you'd like by following directions on Port City Review's submission site. The second issue of Port City Review will launch Winter 2014. To stay updated on the journal, like us on Facebook.

For more information, email District.

Adobe competition

Win up to $5,000 in Adobe competition

Submission deadline: Friday, June 21

The Adobe Design Achievement Awards celebrate student achievement in technological creative arts, honoring the most talented student graphic designers, photographers, illustrators, animators, digital filmmakers, game developers and computer artists from all over the world. Enter to win up to $5,000 in cash and Adobe software.

Students can submit up to three entries in 12 design categories. Semifinalists will be announced in July. For more information, visit adobeawards.com.