Open call... free submissions!

 

We connect with people, places or even situations. Sometimes, and for a variety of reasons this connection loosens and other times it is lost. What does “reconnection” mean to you? For example, what’s the relationship and connection that a photographer can have with their subject, the act of photographing or with photography itself? How or in what ways can we reconnect with other people, places, landscapes or situations? You can approach the topic of reconnection in both its narrow and broad sense. We are open to all approaches and ideas. Submission is free!     LIGHTREADINGS IS COMING BACK After a long absence, LIGHTREADINGS returns with a new website, refreshed and renewed, and reconnects with its readers and photographers from around the world with a major online exhibition and a digital publication, curated by Panos Kasimis. https://lightreadingsmag.com/  SUBMISSION GUIDELINES (re-) CONNECT We welcome diverse submissions from all photographers worldwide of any age, both amateur and professional. Send us your best photographs! We want to see exciting work that responds to the theme (re-)CONNECT. Images can be shot in any format, using any camera, on film or digital. Submission is free! You will need to submit to lightreadingsmag@gmail.com the following: 1 – 5 images of your work (no signatures, watermarks or writing), attached to your email. Please do not insert the images on the email body. All images must be submitted as JPEGs (size 1900px on the longest side, 72dpi). The file name of your image must begin with the sequence number for the image followed by your full name. For example:  01_John Smith.jpeg. Two or three lines of text to explain your approach. Your Instagram name so we can tag you. The deadline to submit your entry is 30th September 2022 at 11.00 pm CEST. All entries will be assessed by the curator. Participants names will be announced on October 10th. Please note that LIGHTREADINGS reserves the right to decline exhibiting work that do not meet the above requirements or, in the curator’s judgement, does not match the theme.