SCAD eLearning is looking to pay a student with experience photographing events to document the eLearning graduation reception, Thursday, May 31st, from 4 p.m. to 6 p.m. at the Gutstein Gallery.
If interested, please email Asli Shebe at ashebe@scad.edu with a link to your website or a few screen res examples of your work.
Monday, April 30, 2018
Advanced B&W Printmaking in the Darkroom
Fall 2018 Elective (only taught once a year)
Advanced Black-and-white Printmaking PHOT 326 undergraduates
PHOT 704 - Black-and-white Craft graduate students
11:00 am - 1:30 pm TR
Advanced Black-and-white Printmaking PHOT 326 undergraduates
PHOT 704 - Black-and-white Craft graduate students
11:00 am - 1:30 pm TR
Spend the quarter back in the darkroom with Professor Jaclyn Cori Norman
Learn advanced techniques and tricks. Save slightly under and over exposed negatives.
Make your own developers.
Learn one of a kind process: Mordancage.
Get away from the computer.
Get away from the intro students and use the awesome private darkrooms.
Grad student elective: Fall 2018
ARTH 761
Landscapes and Photography
Holly Goldstein
Mon/Wed at 11
Graduate Seminar
Landscapes and Photography
Holly Goldstein
Mon/Wed at 11
Graduate Seminar
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| Tom Fischer, “Merced River, Winter, Yosemite Valley, California,” gelatin silver print, 1989. |
Tuesday, April 24, 2018
Fall Photojournalism
Fall
2018 Take PHOT 337 Photojournalism,
Media
and Culture, TR 2-4:30
This
course provides an opportunity for the advanced photography major who is
interested in pursuing a career in visual communication to deal with the
skills, theory, ethics and contemporary issues of newspaper and magazine
photojournalism. Students work collaboratively and individually on a
quarter-long newsworthy assignment that reflects a topic relevant to current
issues in the community. Students produce a complete portfolio based on the
chosen topic and present the work to the community in a final exhibition.
Through the investigation and visual exploration of a story pertinent to the
local or regional community, students are made more aware of the link between
photojournalism, the media and culture. Prerequisite(s): PHOT 324. Questions
contact Rebecca Nolan, rnolan@scad.edu
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| © Erik Poppen © Christopher Dowell |
Monday, April 23, 2018
Black & White
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| © Thomas Schworer |
Black & White
Juror: Sandrine Hermand-Grisel
Deadline: Monday, May 7, 2018
Exhibition prints due June 15, 2018
Gallery exhibition June 27 - July 28, 2018
In this exhibition, we celebrate the beauty and the
powerful expressive ability of black and white photography. The subject
is completely up to you.
Any capture method or process, whether digital or analog, is welcome.
We
are very pleased that Sandrine Hermand-Grisel will be jurying and
curating this exhibition. She will select approximately 35 images for
exhibition in the gallery, and 35 for our Online Gallery Annex.
The
recipients of the Juror's Award and the Director's Award will each be
entitled to a personal portfolio review by Ms. Hermand-Grisel.
Chania International Photo Festival
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Call for entries
PERSONAL PERSPECTIVE
"A good photograph is knowing where to stand"
- Ansel Adams
We
all have a unique way of looking at things, a singular vision that can
be enhanced and polished by our observations of the world around us
through our lens. Asked to photograph the same scene, several
photographers may see roughly the same gestalt, but there's always one,
or the few, mavericks who find a way to pick out details or angles that
others don't see or don't regard as
important.
Juror for Personal Perspective is well known photographer and educator Saul Robbins (http://www.saulrobbins.com/).
Saul Robbins is interested in the ways people interact within their
surroundings and the psychological dynamics of intimacy. His photographs
are motivated by observations of human behavior and personal
experience, especially those related to loss, unity, failure, and the
latent potential residing in traditional photographic materials and
personal history. Robbins is best known for his series Initial Intake, which
examines the empty chairs of Manhattan-based psychotherapy
professionals from their clients' perspective. He has also worked with
abstract imagery in his series Chemical Peels. Members of the Darkroom Gallery Meetup Group who attended Robbins' 2013 workshop, Strategies for Photographic Business Success,
still talk about the workshop, saying that Robbins' acute observation
made for invaluable portfolio reviews. Don't miss this chance to let him
see your work.
SUBMISSIONS CLOSE AT 11:59PM EDT ON WEDNESDAY, APRIL 25!
Cengage learning materials for the term.
How it works: When you adopt Cengage products, students can choose to buy a Cengage Unlimited subscription, giving them access to the entire Cengage catalog of eBooks and more, for one term–or up to two years. A single, set rate subscription covers students across all their courses using Cengage materials. The more courses adopting Cengage, the greater the value for students using Cengage Unlimited.
How much: With one $119.99 Cengage Unlimited subscription, students get complete access to over 22,000 Cengage eBooks and digital products, like MindTap, WebAssign, OWLv2 and SAM, for a full 4-month term. Multi-term subscriptions are available too.
Print textbooks: Cengage Unlimited grants access to digital course materials for active courseware users. A FREE Cengage print rental is also available –students pay just $7.99 for shipping.
All Follett stores are equipped to fulfill Cengage Unlimited this fall, and are excited to offer this cost-saving option to our students!
Learn more at cengage.com/unlimited
More information here...
Thursday, April 19, 2018
“PX3 Photographer of the Year”
Annual PX3 Photography Competition
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| ©
Matthieu Venot
City And Colour |
The Prix de la Photographie, Paris (P×3) has kicked off its 11th Annual Photography Competition with a call to visionary photographers from around the world, both professional and amateur, to share their unique perspectives on the world with a French audience, and compete for international recognition as the next “PX3 Photographer of the Year”, cash prizes, publication in the PX3 Annual Book, and inclusion in a special curated exhibition to be shown in Paris in July, 2018.
Photographers will submit their work in the following categories:
Advertising / Book / Fine Art / Nature / Portraiture / Press
Over the past decade, PX3 has risen to become one of the most prestigious photography competitions in Europe, with thousands of outstanding entries annually from around the world, making the job of PX3’s esteemed Jury a truly challenging one.The PX3 jury is made up of international photographers, editors, curators and creatives with a passion for photography. Their mandate is to look at the originality, creativity, excellence of execution, and overall impact of each photograph. To view the 2018 Jury list, go to https://px3.fr/jury/
The 2017 winners of PX3’s top awards:
Jonathan Bachman, with his winning entry, “Protester’s Eyes” took the top prize in the professional Press category and snagged him the coveted title of “Photographer of the Year” and a $5,000 cash prize.
Luca Izzo took 1st place in the amateur Fine Art category with the very compelling entry, “Desformes”, winning him the title of “Best New Talent” and a $2,000 cash prize.
To view all the 2017 winning works, go to https://px3.fr/winners/px3/2017/
The “Prix de la Photographie, Paris” (P×3) strives to promote the appreciation of photography, to discover emerging talent, and introduce photographers from around the world to the artistic community of Paris. A selection of work from this competition is displayed in Paris and the winners are published in the P×3 Annual Book. Juried by leading editors, publishers, curators, gallery owners, consultants, creative directors, and art directors, P×3 brings the best of photography from across the globe to Paris.
Wednesday, April 18, 2018
Where are they now: Monika Merva M.F.A.1998
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| Zsuzsa P in Rabbit Ears, 2004 ©Monika Merva |
In celebration of the ongoing LensCulture Portrait Awards 2016, we will be publishing a series of inspiring features on great contemporary portraiture.
One photographer whose portraits I appreciate very much is Monika Merva. What strikes me about her work is the way that people captured by Merva seem to have completely let down their guard. They seem vulnerable to the gaze of the onlooker. Not as if they are unsafe, but as if we already—at first glance—are so comfortable with this person that they are able to open up before our eyes.
—Alexa Becker
Acquisitions Editor, Kehrer Verlag
Artist’s Statement
When you walk through the gates of the Karolyi Istvan Gyermekkozpont in Fot, Hungary you are pleasantly surprised. Rows of dorm-like homes emerge from behind ancient trees. The land once belonged to the Count whom it is named after. Later, it was seized by the government and turned into a housing facility for children seeking help from their dysfunctional and poverty-stricken families. Gyermekkozpont is its own community.
Having visited the City of Children many times over the years, I have become impressed by its quiet, and often hidden, power and beauty. The community has its distinguishing characteristics, but if you dig deeper, you will find that there exists a direct connection between these surface traits and the universal truths that lie just beneath: truths about human nature and condition we all share.
At first glance you might simply see the people photographed as very different from yourself, but after a longer look, you see the commonality of our life experiences. There is a bond between all people through which we can relate to one another, and it just needs to be recognized. The connection may be the memory of teenaged angst, a feeling of isolation, or the joy of laughing with a great friend.
Since 2002 I have photographed the children in and around their home. I have always been interested in people. As a first-generation American of Hungarian descent, my interest in Gyermekkozpont is personal. I spent my childhood summers in Hungary, speak the language, and have extended family there.
I believe home is where our strength lies. It’s the source of everything, where all our fears, questions, love, and a sense of belonging originate.
—Monika Merva
Where are they now: Aaron Bible MFA 2005
Aaron Bible (M.F.A., photography, 2005) has been invited to attend the Adventure Travel Trade Association's annual summit, Adventure Next, in Jordan this May. take a look at his website!
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| ©Aaron Bible |
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| ©Aaron Bible |
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| ©Aaron Bible |
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| ©Aaron Bible Aaron Hamilton Bible, B.A., M.F.A., is a writer and photographer based in Nederland, Colorado. He is a professor of photography, author, editor, content consultant, mountain athlete and adventurer. He has served as a staff editor for numerous publications including Blue Ridge Outdoors, Elevation Outdoors, Blue, Paddler, Sporting Goods Business and Kickstand magazines. He’s currently a contributor to numerous regional and national publications and websites, specializing in outdoor/adventure travel, short stories, outdoor sports coverage, and gear trends and reviews. While inflected with a modern style, his photographic work harkens back to the Southern ideals of nostalgia, the conflict between man and nature, and entropy. His portraiture ranges from isolated studio treatments to extended environmental portraits. When not behind the camera or in front of the computer, Bible can be found riding his bike, running trails, skiing, and playing with his wife and dogs. Follow his #vanlife and #cabinlife adventures on Instagram at @ahbible and @team_bible_travels. |
Accelerate your business ideas at Creative Entrepreneurial Forum
Accelerate your business ideas at Creative Entrepreneurial Forum
Join the office for career and alumni success for a full slate of panel discussions led by SCAD alumni innovators embracing the entrepreneurial spirit.
Find out what the future holds for creatives and gain next-level advice from Bees building their business with the support of alumni programs such as SCAD Alumni Atelier and SCAD+.
This event is free and open to SCAD Card holders. For more information, email careers@scad.edu
Friday, April 27
SCAD Museum of Art
Friday, April 27, 2018
10 a.m. | Keynote speaker: Britt Spencer (M.F.A., painting, 2011; B.F.A., illustration, 2005)11 a.m. | Keynote speaker: Cameron Cruse (M.Arch., 2011; B.F.A., architecture, 2010)
Noon | Freelance Life alumni panel
• Britt Spencer (M.F.A., painting, 2011; B.F.A., illustration, 2005)
• Julia Yellow (B.F.A., illustration, 2012)
• Octavia Gilmore (B.F.A., graphic design, 2011)
1 p.m. | Building Your Business alumni panel
• Daniel Augustine (B.F.A., sound design, 2005)
• Haile McCollum (M.F.A., graphic design, 1994)
• Mark Lubbers (B.F.A., graphic design, 2005)
• Tiffani Taylor (M.A., art history, 2003; B.F.A., painting, 2002)
2 p.m. | SCAD Alumni Programs Presentation
• Grace Grund, assistant director of alumni programs
• Scott Brown (M.A., interactive design and game development, 2017), SCAD+ creative director
2:30 p.m. | Financial Intelligence
• John Collette, professor of motion media design
3:30-4:30 p.m. | Group portfolio reviews (Registration required)
Tuesday, April 17, 2018
Exhibition by Mingfei Wang
Join us for an opening reception for an MA exhibition by Mingfei Wang.
Sulfur Studios, 2301 Bull Street, April 19-21
Opening reception: April 20 6-9 pm
Sulfur Studios, 2301 Bull Street, April 19-21
Opening reception: April 20 6-9 pm
Same, but Different: A Night in Hong Kong
A night in Hong Kong, with music, ramen, as well as Lily Shapiro’s and Shaye Garrigan installation gallery show. The work walks you through two different sides of the multi-dimensional asian territory, showing the experiences each artist had while living there. Garrigan’s harsh angsty images are printed on ethereal silks, a calm to Shapiro’s energetic and highly visual films and photographs of central Hong Kong.
Featuring Hong Kong Artist GONG! set starts at 8pm
May 4th from 6-9pm
Non-fiction Gallery, 1522 Bull St.
Alumni News
Catch Melissa Spitz's, (M.F.A. alumna 2014), exhibition at the SCAD MOA before it comes down April 30.
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| "Pool Day" Archival Inkjet Print, edition of 15, 2015 |
MELISSA SPITZ
You Have Nothing to Worry About
Jan. 30 - April 29, 2018
SCAD alumna Melissa Spitz (M.F.A., photography, 2014) records the struggles and complexities of her mother’s life, and their tumultuous relationship, through photography. "You Have Nothing to Worry About" features Spitz’s mother Deborah, who struggles with mental illness and substance abuse, in moments of sorrow, joy, boredom, chaos and pain in an ongoing project spanning eight years of documentation. The artist uncompromisingly confronts viewers with moments typically reserved for private space, revealing an honest and complex depiction of the human spirit.
The exhibition includes works hung salon style to form a narrative that chronicles aspects of Deborah’s life, such as her poolside lounging, her cigarette-burned blanket, bins of pills or a bruised arm. Accompanying this installation, below an image of Deborah in the passenger seat of a car, is a caption of a post from Spitz’s Instagram account, in which she describes the inaccuracy of memory as it pertains to her experiences growing up. As the project has developed over the course of eight years, Instagram has served a vital role, allowing Spitz to explore this relationship publicly and privately. The social media platform has given her a means to test the boundaries of the two, by posting images from the project alongside screenshots of text messages and iPhone images.
Through the progression of "You Have Nothing to Worry About," Spitz has grappled with the ethics of representation and conflicting emotions that she experiences when photographing her subject. Her role as photographer is to document very personal moments in her mother’s life, as well as shed light on taboo subjects like substance abuse and mental illness.
Melissa Spitz is from St. Louis, Missouri, and currently resides in Brooklyn, New York. She earned an M.F.A. in photography from SCAD and a B.F.A. from the University of Missouri — Columbia. Spitz's work has been featured by the Aperture Foundation, Time magazine, VICE, The Huffington Post and other publications. She was recently named Time’s Instagram Photographer of the Year for 2017.
"You Have Nothing to Worry About" is curated by Ben Tollefson, assistant curator of SCAD exhibitions.
The exhibition is free and open to the public.
This exhibition is part of SCAD deFINE ART 2018, held Feb. 20-23 at university locations in Savannah and Atlanta, Georgia, and Hong Kong. SCAD deFINE ART is an annual program of exhibitions, lectures, performances and public events that highlights emerging and established artists and visionaries.
Learn more about Spitz’s honor from Time.
Dive deeper into the exhibition with Connect Savannah’s feature.
Integrating Our Creative Practice
Integrating Our Creative Practice
Alexander Hall CR-2, Wednesday April 18th at 5:00 pm
A conversation
with illustrator Kelsey Wilson, painter Carrie Christian, and
photographer Angie Woodard, designed to explore how artists and creative
professionals manage to integrate their creative practices into their
daily lives. Is sustaining an artistic practice a creative feat in
and of itself? If so, what tools do we have as artists to engage in this
pursuit? Join our discussion with the artist panelists to explore these
questions. Learn how each artist identifies their challenges, and
consider what it means to seek fulfillment while balancing the demands
of a creative practice with the demands of daily life.
Kelsey Wilson is pursuing an MFA in Illustration at SCAD. She has experience as a freelancer, practices painting and was hired by James Avery Artisan Jewelry as a designer.
Angie Woodard became one of the first 4 year graduates at SCAD to obtain a BFA in Photography. She has worked in film and television for over 17 years, working on projects such as Resurrection, Army Wives, Walking Dead II, Ben 10, The Jungle Book, and Road Trip.
Carrie Christian
studied painting, has a BFA in Illustration from SCAD, and is a
successful business owner and entrepreneur. She began teaching in 2009,
and her work has been exhibited nationally and internationally. The
Mobile Museum of Art and the Ogden Museum in New Orleans are both home
to her work. Carrie was included in the 2007 & 2009 Southern
Editions of New American Paintings publication. She is the founder and
owner of Scribble Art Studios in Savannah, and in 2017, Carrie partnered
with Jen Jenkins to open Henny Penny Art Space & Café. They just
celebrated their first year anniversary!
Monday, April 16, 2018
Tuesday, April 10, 2018
Online Summer 2018-Photo 754 Business of Marketing Photography
Designed to provide students with a practical understanding of the business of freelancing, this course provides a comprehensive survey of a range of photographic career choices, including editorial photography, commercial studio photography, art photography and stock photography. The course guides students to identify the appropriate market for their style/aesthetic and directs them toward creating effective strategies of legitimate self-promotion aimed at that specific target. Prerequisite(s): PHOT 714.
5.000 Credit hours
Thursday, April 5, 2018
Kodachrome
Film is alive and well. Lots of our SCAD Photography Department students shoot film. Here is an interesting movie about film:
Netflix purchased the rights for the upcoming movie Kodachrome in September 2017, and today it just released the film’s 2.5-minute trailer. The movie is a story that’s centered around the final days of Kodachrome film.
https://petapixel.com/2018/03/27/heres-the-trailer-for-kodachrome/
Netflix purchased the rights for the upcoming movie Kodachrome in September 2017, and today it just released the film’s 2.5-minute trailer. The movie is a story that’s centered around the final days of Kodachrome film.
https://petapixel.com/2018/03/27/heres-the-trailer-for-kodachrome/
Tuesday, April 3, 2018
L.L. Bean Photo Art Director Summer Internship
Candidates must be currently enrolled in college or a university degree program
- Degree focus Art or Photography
- Proficiency with InDesign, Photoshop and Capture One
- Strong visual creativity and eye for design & photography
- Basic understanding of printing processes, photography, typography and interactive media
- Passion for retail combined with a strong desire to represent the L.L.Bean brand
- Flexibility and willingness to work where needed during the internship experience
- Exceptional interpersonal skills and strong oral and written communication skills
- Fluent in web terminology and functionality
- Experience with MS Office Programs
- Excellent problem-solving skills and strong attention to detail
- Ability to prioritize and handle multiple tasks in a dynamic work environment
- Ability to work independently and collaboratively
- Interns are responsible for their own lodging within a commutable distance to Freeport and must have reliable transportation for the duration of the internship.
Monday, April 2, 2018
Klompching Gallery Call for Entry
DEADLINE: MAY 18
The FRESH Annual Summer Show, now in its seventh year, is produced and presented by the Klompching Gallery. Through an Open Call for submissions, up to five photographers are selected and curated into a group exhibition. A further ten photographers are highlighted as finalists.
What is FRESH looking for? We are looking for the very best examples of new contemporary fine art photography. We're looking for single bodies of work with a consistent vision and originality — photography that is FRESH!
Reflecting how photography is understood across different platforms, FRESH thoughtfully incorporates the three elements of display, publication and dissemination: an exhibition, a printed catalogue, and an online showcase including interviews.
• Up to FIVE photographers selected for a month-long exhibition in New York.
• TEN finalists selected and featured online.
• A catalogue featuring all selected exhibitors and finalists.
• Online promotion, editorial and interviews.
• TEN finalists selected and featured online.
• A catalogue featuring all selected exhibitors and finalists.
• Online promotion, editorial and interviews.
PLEASE READ the Instructions and Terms & Conditions before preparing your submission.
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